Add a Little Quindar to Your Comms for that Apollo-Era Sound

If there’s one thing that ties together all the media coming out of the Apollo era, it’s probably the iconic Quindar tones. These quarter-second beeps served as control tones for …read more Continue reading Add a Little Quindar to Your Comms for that Apollo-Era Sound

In-Band Signaling: Quindar Tones

So far in this brief series on in-band signaling, we looked at two of the common methods of providing control signals along with the main content of a transmission: DTMF for Touch-Tone dialing, and coded-squelch systems for two-way radio. For this installment, we’ll look at something that far fewer people have ever used, but almost everyone has heard: Quindar tones.

What’s a Quindar?

You may never have heard what Quindar tones are, but you’ve certainly heard them if you’ve ever seen any manned spaceflight videos. Quindar tones are those short beeps you hear when NASA is communicating with astronauts, as …read more

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In-Band Signaling: Coded Squelch Systems

In the first part of our series on in-band signaling, we discussed one of the most common and easily recognizable forms of audio control, familiar to anyone who has dialed a phone in the last fifty years – dual-tone multifrequency (DTMF) dialing. Our second installment will look at an in-band signaling method that far fewer people have heard, precisely because it was designed to be sub-audible — coded squelch systems for public service and other radio services.

Breaking Squelch

To review, an in-band signaling system is loosely defined as any system that sends control information along with the main content …read more

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In-Band Signaling: Dual-Tone Multifrequency Dialing

One late night many decades ago, I chanced upon a technical description of the Touch-Tone system. The book I was reading had an explanation of how each key on a telephone sends a combination of two tones down the wire, and what’s more, it listed the seven audio frequencies needed for the standard 12-key dial pad. I gazed over at my Commodore 64, and inspiration hit — if I can use two of the C64’s three audio channels to generate the dual tones, I bet I can dial the phone! I sprang out of bed and started pecking out a …read more

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