A Fully Open Source Raspberry Pi Synthesizer

Have you ever seen something and instantly knew it was something you wanted, even though you weren’t aware it existed a few seconds ago? That’s how we felt when we received a tip about Zynthian, a fully open source (hardware and software) synthesizer. You can buy the kit online directly from the developers, or build your own from scratch using their documentation and source code. With a multitude of filters, effects, engines, and essentially unlimited upgrade potential, they’re calling it a “Swiss Army Knife of Synthesis”. We’re inclined to agree.

At the most basic level, the Zynthian is a Raspberry …read more

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Hackaday Links: May 13, 2018

The dumbest thing this week is Uber’s flying car concept of the future. The braintrust at Uber envisions a world of skyports, on rooftops or on the ground that will handle 200 takeoffs and landings per hour. That is 4800 per day at a maximum. The record for the number of total takeoffs and landings for any airport was set last year at Mumbai’s Chhatrapati Shivaji airport with 969 takeoffs and landings in a twenty-four hour period. Yes, Uber wants to put the world’s busiest airport in a parking lot or something. Just wait, it gets dumber. Uber’s ‘flying …read more

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Synthbike Rolls To The Beat

Modular synthesizers are some of the ultimate creative tools for the electronic musician. By experimenting with patch leads, knobs and switches, all manner of rhythmic madness can be conjured out of the æther. While they may overflow with creative potential, modular synths tend to fall down in portability. Typically built into studio racks and composed of many disparate modules, it’s not the sort of thing you can just take down the skate park for a jam session. If only there was a solution – enter the madness that is Synth Bike.

Synth Bike, here seen in the 2.0 revision, impresses …read more

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Bringing Guitar Synthesis To The Microcontroller

If you’re working with audio in an embedded environment, the best option for years now has been the Teensy 3 microcontroller board. This choice has mostly been due to its incredible power and audio libraries, but until now we really haven’t seen a stompbox-style interface that used the Teensy to its fullest extent. Now we have, in [Wolkstein]’s GitSynth, everything you could want in a synthesizer that processes the signals from an electric guitar.

The core of this build is a Teensy 3, and all the audio goodies that come with that. Also included is a USB MIDI and audio …read more

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Restoring a piece of Musical History

Every restoration project involves various levels of grit, determination, gumption and doggedness. But [Darren Glen]’s restoration of a Jupiter-8 is an absolute labor of love. The Jupiter-8,  launched by Roland in 1981, was their flagship “polyphonic analog subtractive” synthesizer and was used by many legendary acts of the ’80’s. The synthesizer was rugged — built to withstand the rigors of travelling everywhere that the bands took it. More importantly, it could produce a wide range of sounds that came from dedicated and independent controllers. These, plus a host of other desirable features, makes the synth highly coveted even today and …read more

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Virtual Analog Synth Brings Tunes To The Masses

Part of the problem with getting involved in a new hobby is the cost. Whether you’re learning to surf, weld, garden, or program, often the entry cost is several hundred dollars. We’re huge fans of things with low barriers to entry, though, so we were happy to see the latest project from [pappas.chris] which promises to introduce newcomers to the musical hobby of synthesizers for just over $20.

The build revolves around an STM32F7 microcontroller and offers a 6-voice virtual analog synthesizer. The build is expandable, too, so if you want to build on the STM platform with any other …read more

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This Synth Is Okay

While this 3D printed synthesizer might just be okay, we’re going to say it’s better than that. Why? [oskitone] did something with a 555 timer.

The Okay synth from [oskitone] uses a completely 3D printed enclosure. Even the keys are printed. Underneath these keys is a small PCB loaded up with tact switches and small potentiometers. This board runs to another board loaded up with a 555 timer and a CD4040 frequency divider. This, in turn, goes into an LM386 amplifier. It’s more or less the simplest synth you can make.

If this synth looks familiar, you’re right. A few …read more

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The Sound of (Synthesized) Music

What’s an ADSR envelope generator? If you are a big music hacker, you probably know. If you are like the rest of us, you might need to read [Mich’s] post to find out that it is an attack-decay-sustain-release (ADSR) envelope generator. Still confused? It is a circuit used in music synthesis. You can see a demo of the device in the video below.

Before the Altair–which was sort of the first hobbyist computer you could actually buy–electronics magazines were full of music synthesizer projects that had a lot in common with the analog computers of old. A lot of people …read more

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The Monolith Brings the Boom to Maker Faire

[Ross Fish], [Darcy Neal], [Ben Davis], and [Paul Stoffregen] created “the Monolith”, an interactive synth sculpture designed to showcase capabilities of the Teensy 3.6 microcontroller.

The Monolith consists of a clear acrylic box covered in LED-lit arcade buttons. The forty buttons in front serve as an 8-step sequencer with five different voices, while touch sensors on the left and right panels serve as a polyphonic arpeggiator and preset controller, respectively.

In order to control all of those buttons, the team designed breakout boards equipped with a port expander, 16-channel PWM driver chip, and N-channel MOSFETs allowing the entire synth to …read more

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Starship One: The Ultimate 90’s Synthesizer

We’ve seen some crazy music production stations over the years. But this synthesizer system may just take the cake. Starship One is the creation of [Marc Brasse]. At first glance, this music battle station looks like it belongs on the bridge of the Enterprise. The resemblance is not entirely unintentional. [Marc] himself says “Commander Data from Star Trek: The Next Generation might actually (have) like(d) it if he did not have such a conservative taste in music.”

At the core of Starship One are two underappreciated synths from the 90’s. The Technics WSA1, and a Gem S3 turbo. Both were …read more

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