Collaborate Disseminate
A new version of Roland’s hugely popular portable combo amp first introduced in 2007 has been announced. The Cube Street II modeling amp now wears a Boss logo on the grille, comes with twice the output oomph and has had a few pounds shaved off its weig… Continue reading Roland hits the Street with Boss-branded portable amp
Roland has unveiled a new digital wind instrument called the Areophone Pro that’s destined for the hands of professional players, and is said to put entire brass and woodwind sections at a player’s disposal.Continue ReadingCategory: Music, TechnologyTa… Continue reading Roland gets in a serious groove with pro-grade digital wind instrument
Roland has been pounding out electronic drums for decades, most recently going for a traditional kit look and feel. The latest V-Drums release returns to the familiar skeletal setup of old and is claimed to offer “the finest electronic drumming experie… Continue reading Roland aims for bashers on a budget with latest V-Drums kit
[Mitxela]’s repair of a Roland JV-1080 (a rack-mounted 90s-era synthesizer) sounds simple: replace a broken rotary encoder on the front panel. It turned out to be anything but simple, since the part in question is not today’s idea of a standard rotary encoder at all. The JV-1080 uses some kind …read more
Continue reading Spoofing an Analog Rotary Knob with an ATtiny, and Vampiric Power
Last month was NAMM, the National Association of Musical Something that begins with ‘M’, which means we’re synthed and guitarded out for the year. The synth news? Behringer are making cheap reproductions and clones of vintage gear. There’s something you need to know about vintage gear: more than half of everything produced today has a Roland 808 or 909 drum machine (or sample), a 303 bass synth, or a 101 mono synth in it. Put an 808, 909, 303, and 101 on the same table, connected to a mixer, and you can make most of the electronic music from the …read more
That headline sounds suspect, but it is the most succinct way to explain why the Roland TR-808 drum machine has a very distinct, and difficult to replicate noise circuit. The drum machine was borne of a hack. As the Secret Life of Synthesizers explains, it was a rejected part picked up and characterized by Roland which delivers this unique auditory thumbprint.
Pictured above is the 2SC828-R, and you can still get this part. But it won’t function the same as the parts found in the original 808. The little dab of paint on the top of the transistor indicates that …read more
Continue reading You Can’t Build A Roland TR-808 Because You Don’t Have Faulty Transistors
That headline sounds suspect, but it is the most succinct way to explain why the Roland TR-808 drum machine has a very distinct, and difficult to replicate noise circuit. The drum machine was borne of a hack. As the Secret Life of Synthesizers explains, it was a rejected part picked up and characterized by Roland which delivers this unique auditory thumbprint.
Pictured above is the 2SC828-R, and you can still get this part. But it won’t function the same as the parts found in the original 808. The little dab of paint on the top of the transistor indicates that …read more
Continue reading You Can’t Build A Roland TR-808 Because You Don’t Have Faulty Transistors
Every restoration project involves various levels of grit, determination, gumption and doggedness. But [Darren Glen]’s restoration of a Jupiter-8 is an absolute labor of love. The Jupiter-8, launched by Roland in 1981, was their flagship “polyphonic analog subtractive” synthesizer and was used by many legendary acts of the ’80’s. The synthesizer was rugged — built to withstand the rigors of travelling everywhere that the bands took it. More importantly, it could produce a wide range of sounds that came from dedicated and independent controllers. These, plus a host of other desirable features, makes the synth highly coveted even today and …read more
Over the last few decades, audio synthesizers have been less and less real hardware and more and more emulations in software. Now that we have tiny powerful computers that merely sip down the watts, what’s the obvious conclusion? A six-voice polyphonic synthesizer built around the Raspberry Pi.
The exquisitely named ‘S³-6R’ synthesizer is a six-voice phase modulation synthesizer that outputs very high resolution (24-bit and 96 kHz) audio. It’s the product of R-MONO Lab, who have displayed interesting musical devices such as a recorder-based pipe organ in the past. This build is a bit more complex, offering up some amazing …read more
Continue reading A Six-Voice Synth Built On The Raspberry Pi
If you spent the 1980s hanging out at your local record store, and you don’t have a hankering for spandex and bouffant rock-god hairstyles, the chances are you’ll have more than a few pieces of electronic music from the period in your collection. The proliferation of electronica during that era came through the arrival of relatively inexpensive mass-market digital polyphonic instruments, edging out the sounds of monophonic analog synthesisers for a subsequent generation to rediscover in a later decade. Individual instrument models became icons and entered the musical vernacular of the day, the Ensoniq Mirage sampling synthesiser, the Yamaha DX7 …read more
